Prometheus, some better pictures (I hope)

 As ever if you click on the images you will get a bigger version and they are big. I hope this will mean those who haven't seen it can get a good look at the stitching. I'm sorry there is nothing I can do to show you the size. This thing is huge. Well to be fair it's about the same size as a lot of my bed quilts, but as show quilts go it's on the large side.

Once upon a time I entered a quilt to this show that was too wide for the frame and too long. It dragged on the floor and looked like a curtain. It wasn't good. Since then the organizers have bought bigger stands and until this quilt everything I made fitted.

Last year I came to Sandown and started asking what they could hang if they had to. Their official maximum was smaller than the fabric I was going to use. Well, they had planned ahead and bought extension units for the frames. Height wasn't a problem. Width was more trouble. So we cam up with a plan. The quilt had to have a special sleeve. It has gaps at the points that the support bar for the quilt needs to be attached to the base frame unit. It also had to be hung on the end of a row. So there is a limit to how many monster quilts they can hang in one show. On the other hand they can, and will, hang these outsize beasts, so if you've got a monster quilt lurking how about entering it into the show next year?

This quilt is made from a single piece of fabric. Yes, it's huge. No, it doesn't have any seams. No, I didn't dye it myself, do I look that stupid brave? It was dyed for me by Heide Stoll-Weber. I don't know if she will be up for dying more of them but you can always ask her when she is at the Festival of Quilts in August. I had actually planned on using the fabric for both the top of a quilt and the binding, but when it came I couldn't cut it. So I worked my design into her fabric. I'm very pleased I did.

The photographs actually probably give you a better idea of the shading of the fabric than you get in real life. There are places on the quilt where the thread changes the colour you see a lot, interestingly the camera picks up the background colour more.

 The quilt contains about 16-18 cones of thread, in about 10 different colours. There is no actual trapunto it has two layers of wool wadding throughout the quilt. The trapunto effect just comes from the amount of quilting in the background.

At the moment the quilt is very stiff. If (when) it gets some real use it will soften up. Greek Fossils, the test piece for this quilt, has softened a lot and it has just been rolled and unrolled for a couple of years.

The quilt is pretty much reversible. The bobbin thread is the same colour as the top thread every where, so yes when I change one I have to change the other. The backing is a black and grey floral fabric, but you can't see much of that any more :) We think there are between 400 and 600 hours work in the whole thing.

I think that covers most of the questions I got at the show. Please do ask if you have any questions I haven't covered and do click on the images to get a closer look.